meshmass at play in the soundfields... their adventures in the happy world of popular entertainment... the history of noise.
meshmass have just held their first recording session for february, what with one thing and another, and brought out several strange things to play with including a highly eccentric 12 string guitar which was once half of a double-neck prog-rock nightmare. this was apparently used by "the enid" when it was a 12-string/bass guitar monster but has since been divorced and what's more cut in half and only the top bit remains. it's still enormous however and richard says it weighs a ton. the headstock is enormous, almost as long as what remains of the body. this preposterous machine was made by shergold (not shergar, the champion racehorse famously stolen by the IRA), the same people who made hayman guitars in the 60's and 70's. syd barrett used a hayman on the 'piper at the gates of dawn' sessions. not only did we have that to confuse us but peter has bought a new blue box (a digitech jamman delay (discontinued)) which conspires to add to the general sense of bewilderment in meshmass towers at recording time. and it seems like a very long time since we did such a thing in any case, so that as usual we seem to have forgotten how we are supposed to do it. nevertheless we have generated an hour of new material to worry about and in any case we never really knew how or indeed whether we were supposed to do it and can only presume that we weren't.