meshmass at play in the soundfields... their adventures in the happy world of popular entertainment... the history of noise.
juddy and the months..... we are assailed by more than the usual measure of confusion, as certain of our membership chose this juncture to disappear into the increasingly distant reaches of the european continent, returning weeks later bearing only honey, bagasso and blurred memories. this has placed us in the invidious position of having to release a septembermass only in november (an effort we are shortly to make) and also to be rather alarmed at the prospect of octobermass at all. we realise this will not worry our overburdened subscribers (many of whom have failed even to download the augustmass we so carefully prepared for them - and which is rather good) but it is after all in breach of our contractual obligations, which is a matter we take very seriously. not only that but many of the recording we made in september (upon which we rely because of the almost complete lack of october in these parts), due to certain 'adjustments' made by our highly-trained technical team have been revealed to feature a saxophone (or possibly two or three, it is impossible to tell) recorded apparently underwater at the far end of an enormous cavern populated by echoing ghosts. woe. oh, woe is us. however we are delighted to announce that Justin Hopper's book including sussex myths and legends (among whom or which we certainly are and reside) is about to be published (and i quote):- "The Old Weird Albion is a creative non-fiction <(book, work, piece of writing)> exploring memory, myth and the landscape of the South Downs by American writer Justin Hopper. Published by Penned in the Margins..... this poetic essay <(tells)> of encounters with forgotten histories, eerie suburbs, eccentrics and visionaries." as for our various instrumentalisings, Richard has procured a wonderful new guitar made by Parker, or Parker-Knowles, or Parker-Bowles, possibly - i belive it's called a 'nightfly' - and Peter has 'invested' in a number of SML tenor saxes, mostly gold medal mk 1, with rolled toneholes and switchable g# linkage. some of them even work. he also now proudly displays for the amusement of drunken passers-by a borgani macerata curved soprano saxophone as once played by dead blokes. so, fear not, september soon!