meshmass at play in the soundfields... their adventures in the happy world of popular entertainment... the history of noise.
having undergone a humiliating, time-consuming, complicated, wasteful and above all futile attempt to interest people in our relentless overproduction - by means of which it was finally proved beyond reasonable doubt that we cannot arrange even to give away meshmass - we are nevertheless currently working on the july subscription edition.
we started in traditional fashion with a pile the approximate size and density of an alp which it is intended that we should reduce until it becomes a perfectly smooth and shiny coffee bean sized portion. so far our teams of value-free scientists, lab technicians in dirty overcoats, deaf sound engineers, mad, drug-addled record producers, noted bean-sculptors and nameless though significant others have reduced the massive edifice by a third. Meanwhile - leaving them to it - meshmass are having their holidays, which involves (among other things) taking more lovely cover pictures of diverse objects including a) bees and b) seas.
the resultant glorious julymass will be flopping into the laptops of a fortunate few in a few days to be greeted (i have no doubt) with muffled cries of 'goody' 'yum' 'oh god' and 'help'.
not only this but as members of the Performing Right Society we discover that this august institution (dedicated to the defence of 'intellectual property' a term we find confusing and a concept we have our doubts about) is seemingly incapable of maintaining a database which includes meshmass. not so surprising, you might think, but more surprising perhaps is the news that 'official f.m.', one of the sites (along with soundcloud, bandcamp and probably some other thing we have forgotten about) to which we post free meshmass for listening to has received a complaint of 'copyright violation' with regard to our material there. this is most unlikely for a variety of reasons, not least of which is the fact that it is not true. the idea that meshmass copy anyone is inherently preposterous since we are not capable even of reproducing music we made ourselves, let alone the music made by others. despite these profound and disturbing setbacks meshmass continues to steer an erratic course into the future leaving in its wake an ever expanding slick of original and individual music.
hooray for us.