meshmass at play in the soundfields... their adventures in the happy world of popular entertainment... the history of noise.
even as (with palsied and trembling fingers) i type these words meshmass are sending out the MAYMASS package to lucky subscribers on various continents (some of whom have paid money for the privilege and some of whom seem to have forgotten.) this month the recipients will get 6 tracks totalling 64:34 including one violent duet (giving out) 3 pieces involving the 'sounding stones' of sardinian sculptor pinuccio sciola (the veiling earth 1&2 and hinterland), a driving pulsework with several drumkits (plumb) and a big long fat instrumental called hummer (which either does not know the words or is modelled on unreasonably large american military transport vehicles - possibly both.) the sessions involved richard's yamaha 12-string guitar and his godin fretless sort-of-guitar-thing which also has too many strings and both soprano and alto saxophones.
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between you and me may was rather interfered with from a meshmass perspective since peter went off and played the soprano saxophone in various peculiar locations (outdoors, underground and so-on) and there was a limited amount of time for meshing and massing. so it might not be a classic month, although i think 'giving out' is unusual and interesting and 'hummer' is a very strong piece. 'plumb' starts slowly with a fat, distorted pulse but after the piano entry more and more drummers join the party. it also features richard playing ghost organ. 'hinterland' is very pleasant and includes a sample of some very excited chickens doing soul-singer impersonations as well as typically incompetent piano playing and some rather charming alto saxophone. 'the veiling earth' is split into 2 contrasting sections, the first is more or less dominated by soprano saxophone and the second much darker and more full.